Dutch-born Canadian Painter, 1815-1872 Canadian painter of Dutch birth. He learnt the rudiments of music and painting from his father and about 1830 attended the Akademie der Bildenden Kenste in D?sseldorf. He moved to America c. 1835 and enlisted in the US army. In New York he met Louise Gauthier, a French-Canadian, and settled in Montreal with her in 1840, working as a painter and a musician. In 1842-3 he had a studio in Rochester, NY; in the following year he studied in Paris, making copies in the Louvre. Returning to Canada in 1845, he painted portraits in Toronto, and from 1845 to 1853 he lived in Longueuil and then in Montreal, where he produced genre paintings, landscapes and portraits. He exhibited in Montreal and Toronto, and a series of lithographs were published after his drawings. However, he found it difficult to sell his work in Montreal and had to resort more or less completely to sign-painting for a living. About 1853, at the instigation of the auctioneer John Budden, Krieghoff settled in Quebec City. He lived there for 11 years, making several trips to Europe. During this period of intensive production, he achieved popularity and prosperity and painted his best-known pictures, which were scenes depicting the local townspeople and the North American Indians, and views of Quebec City and the surrounding region. About 1858 he made panoramic paintings of Canada for the Provincial Parliament buildings in Quebec. From 1864 to 1867 he lived in Paris and Munich,   Related Paintings of Cornelius Krieghoff :. | Following the Moose | Self-portrait by Cornelius Krieghoff, | The Ice Bridge at Longue-Pointe | The Blacksmith s Shop | The Habitant Farm |
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Wladyslaw Czachorski
(1850-1911) was a Polish artist. In 1866 Czachorski went to the Warsaw Drawing School and had Rafał Hadziewicz as a peer. Then he spent one year at the Dresden Academy and from there went to Munich Academy (1869-1873) some of his classmates were: Hermann Anschetz, Karl von Piloty, and Alexander Wagner. He received Magna Cum Laude (the Grand Silver Medal) from Munich, and proceeded to travel to France, Italy and Poland after his graduation. He held membership to Berlin academy and has also organizer and jurist of international exhibitions even though he had his home in Munich. He was awarded the Bavarian Order of Saint Michael in 1893. He had many art exhibitions in Poland. Some took place in Krakew, Warsaw, Łedź, and Lwew. After his death in 1911, a posthumous showing was held at the Warsaw "Zachęta" Society of Fine Arts. Some of Czachorski's noted works were: still lifes, painted portraits, and Shakespearean scenes. Some of these that he painted were: Julliette's Funeral (1873), Hamlet (1873), and, most notably, Hamlet Receiving the Players (1875); widely recognized as his greatest works. His paintings can be found in all the more famous and sizable museums of Poland. His works also make appearances in private collections in many countries including: Germany, Poland, England and the United States. They can also be found in foreign museums such as Lwew, Bremen and the Academia de San Carlos in Mexico City.
Eugene Girardet
(Franco - Swiss, 1853 - 1907)
Gerrit van Honthorst
1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.